Al Giddings was in his 40s when he almost had a total meltdown. And out of that near meltdown, came the rediscovery of mountains. Pushing off into Weber Lake in the Sierra Nevada of California in 1980, where he hadn’t been in twenty years, Giddings threw a fly into the lake, toward a big sunset. His two-day vacation turned into three weeks, and from there, into a move to Montana.
Reunited with his love of fishing and hunting, he called a friend in Livingston to ask where the best fishing in the country was. ”This is Mecca,” she said of the Yellowstone River. That was all it took for Giddings to fly to Bozeman, rent a car, and eventually make the Paradise Valley his home.
”I drove into the Valley,” he recalls in a gravelly voice, “and I thought this is Heaven.”
He bought almost 3,000 acres nestled below the Absaroka Mountains and built a two-level, log and cedar home with a wrap around deck and a hot tub facing the imposing 11,000-foot Emigrant Peak. He added three ponds and 2,000 trees to create an idyllic site in the middle of an Angus grazed ranch.
Whats odd about this story is not that a four-time Emmy winning director bought a big spread in Montana, but that an Emmy winning underwater director and cinematographer bought a big spread in Montana, hundreds of miles from any ocean.
The ocean, until recently, is where Giddings worked and played. From directing and filming natural history documentaries, to shooting underwater scenes for Hollywood blockbusters, to designing underwater cameras, lighting and optical systems, Giddings goes full throttle into any project he gets involved in.
Giddings is best known for his undersea camera work and direction, seen in Hollywood blockbusters such as The Deep, the James bond flick For Your Eyes Only, The Abyss and Titanic, of which he was a co-producer.
Additionally he swims in the world of natural history documentaries, listing Galapagos: Beyond Darwin, The Living Edens: Palau and Mysteries of the Sea, as just a few of the films that fill out his lengthy resume.
What is a man, so dependent on the ocean for his livelihood doing in land-locked Montana? He’s getting back to his roots. Giddings’ father was a fish and game Captain and raised his son with a fly rod in one hand and a .410 shotgun in the other. He spent his summers in the California High Sierra, hunting and fishing beneath granite peaks and domes.
Around the age of twenty, Giddings,a competitive swimmer in high school, got involved in a SCUBA business. It was that transition that took him out of the mountains and into the sea.
Giddings got excited about diving while spear fishing in the 50s and decided to figure out a way to make diving a career. A couple years later he traded his spear gun for a camera and started selling photos to magazines.
Emboldened by his quick success in selling underwater photographs, Giddings, along with a friend, Leroy French, opened a dive shop near his hometown in Marin County, California. Like most new businesses, the dive shop didn’t make a lot of money right away, so to subsidize his income Giddings began selling underwater camera gear that he had designed for his personal use.
From there, Giddings worked for National Geographic and his career really began to grow. Still photos led to natural history films and soon to theatrical features.
”I maintained a foot in two very different camps,” he explains. “I’d be working with scientists, discovering the Titanic, looking at life in the deep ocean, and then every few years cross the double yellow line into the theatrical world.”
Giddings was the first to film humpback whales underwater, the first to film great white sharks in slow motion, was one of the first divers to explore the shipwrecked Andrea Doria, filmed 240-foot deep breath-hold dives, fought off sharks, and the list goes on and on.
Besides being driven and talented, Giddings was lucky. He entered the underwater filming world at just the right time to pioneer equipment and techniques. It was a time when the world beneath the water was ripe for a momentous jump in technology and equipment.
While his first love is natural history films, ”there was the financial reward of doing a Hollywood pot boiler every few years,” Giddings laughs. Beyond the money, he appreciated another difference between shooting documentaries and theatrical flicks: Nothing had to be checked or rechecked; the sky’s the limit, nothing has to be real.
One gets the feeling that there are no rules in Giddings’ life. He walks briskly and talks briskly, staring the listener right in the eyes. He madly pursues and achieves his dreams and visions. Hes charismatic and forceful. In his 60s now, Giddings is still a broad-shouldered force to be reckoned with.
It’s these traits that allowed an underwater cinematographer to operate out of the Paradise Valley. After building his sportsman’s retreat-like home, Giddings built a state-of-the-art studio “so that the National Geographic, Discovery people etc., wouldn”t think I hung up my snorkel.”
The 20,000-square foot studio compound is home to movie posters and memorabilia from his vast career and carved wooden statues flank either side of Giddings’ desk. Purchased from the artist while paddling a small boat through Truck Lagoon in Micronesia, the life-sized figures, along with floats, nets and other ocean art, lend a nautical air to his mountain office.
Down the wide, blue-carpeted staircase is the film editing studio. There, Giddings and his assistant Donna Pace sorted through countless hours of film and video and distilled the finest, most exciting material into sixty categories (each an hour or two) of color-corrected, digitized masters.
Giddings credits himself for anticipating the move to HD (high definition) format. In a 1997 interview in Fathoms, he said, ”My friends are saying this revolution is going to be something like the change from black and white to color. I disagree. I think the change is really going to be more like the change we realized going from radio to television!”
He was right. Currently, HD is all the rage and Giddings owns what is likely the largest library of underwater HD footage in the world. And it’s stored amongst a couple hundred Black Angus on a 3,000-acre ranch.
What Giddings didn’t anticipate when he first bought the ranch was that the Greater Yellowstone Ecosystem would become a Mecca for the wildlife film industry. With the arrival of the Jackson Hole Wildlife Film Festival in 1991 came many of the movers and shakers in the industry. “All of the sudden the biggest gathering of wildlife film producers, buyers and sellers were meeting in Jackson,” Giddings recalls.
It wasn’t just wildlife film folks that were flocking to Giddings’ new home, it was his old friends, too. With an uncanny knack for keeping in touch with people, Giddings has had a steady stream of visitors since he first arrived. The man, who attended an elementary school reunion in his 60s, seems to always have a visitor or two around the house.
”I started seeing more people here than when I wasn’t in Montana,” Giddings laughs, his blue eyes catching the light. It turns out that Montana is a great place to be an underwater cinematographer and director.
In addition to the other souvenirs of his illustrious career, Giddings’ studio walls are adorned with pictures of the filmmaker with some of the eclectic collection of people hes worked with throughout the years, Robert Shaw, Sean Connery, John Kennedy, Jr., Kim Bassinger, the list goes on.
Of course, there are pictures with Jim Cameron, Director of The Abyss and Titanic, both of which Giddings worked on. But, there is also a photo with Cuban President, Fidel Castro.
During his five expeditions to the waters around Cuba, Giddings and Castro became good friends. ”Our common interest wasn’t political, but the underwater world,” says Giddings. Castro’s personal passion in life is diving, according to Giddings. Castro supplied his Navy personnel to help Giddings’ crew navigate the local waters for a month when he was filming Cuba’s Forbidden Depths. Castro even spent an evening on the ship.
These days Giddings is spending less time chumming around with Castro and more time restoring classic 1930s cars. He’s sold his HD editing system and cameras are being pushed out the door by cars in his camera shop-turned-garage.
He beams when he explains, ”I’ve turned my energies full force into vintage restoration and the car collecting world.” Giddings is working longer hours now than he did while filming, which equals a lot of hours for this non-stop worker.
”I’m enchanted with the engineering of the 30s, the art and the symmetry –there is a beautiful grace in these cars and their stunning history.” Specifically, he is enamored with Willys Knight cars. Currently, Giddings is restoring a1930 Willys Knight 66-B Plaidside Phaeton, the only one known to exist. It will be a candidate in the 2007 Pebble Beach Concours d’Elegance, an automotive charitable event held each year in Pebble Beach, California, considered the most prestigious event of its kind.
From mountains to oceans and back again, Giddings has spanned the globe following his passions. ”I’ve had a fabulous career; the whole of my career has been pretty charming.” He adds with characteristic enthusiasm, ”I’m totally excited about the next frontier.”
Distinctly Montana, July 09, 2007
UPDATE: August 2016, Filmmaker Al Giddings seeks $7.8 million for his sprawling Montana ranch
19 thoughts on “Al Giddings Interview”
You wild and crazy guy, enjoyed reading the update, and how to find you.
I remember when you tapped me on the shoulder in a small theatre in Gainesville, Florida in the dark, when I was in law school a few 30 years ago!!!
I was in Chicago recently and ran into Jeff Cohen and we had fun remembering Sombrero Beach, Marathon and Love Beach Nassau.
If you ever come thru Dallas, Call me
Fran Johnson 214-215-2006
Ocean Quest got me started diving in the 80s. WORE out my copy of it and finally found a copy in Canada.Got stationed in the Phillipines and dove all over the Pacific and now got my wife started. Watching Shawn seemed to inspire her.Been to Montana for a survival schooland you are right its Gods country
Just wanted to say thanks for your work and hope to hear from you
We are trying to get rental info on the pond cabin. We have rented 3 previous times. Please respond by email or call 336-627-7462.
HELLO AL, SALUDOS FROM VICTOR (AL) COBAR, SAN FRANCISCO, 1964. YOU WERE OUR SCUBA INSTRUCTOR AND I EARNED MY “CERTIFIED CREDENTIAL” WITH THE “HAMMERHEAD SHARKS” GROUP. THIS IS MY MOST PRESTIGIOUS ACCOMPLISHMENT (I STILL HAVE MY MEMBERSHIP CARD.
I MOVED TO LOS ANGELES, REMARRIED AND HAVE A DAUGHTER, CLAUDIA WITH WHOM I SHARED MY SCUBA KNOWLEDGE AND ADVENTURES. WE ENJOYED YOUR OCEAN QUEST SERIES, DOCUMENTARIES AND UNDERWATER PHOTOGRAPHY IN MANY FILMS. I AM HONORED THAT I MET YOU . SINCERELY, AL COBAR
Hi Victor- thanks for writing. Sounds like you had a cool experience with Al Giddings. I kind of doubt he checks in with this site and I am not in contact with him, other than the one interview I did. I love hearing your stories, though! Thanks for commenting.
My husband worked for Giddings and Felgen in the 70’s. Their office was in San Francisco. They were designing underwater casings for cameras. Meeting Mr. Giddings one could tell he was going far in all his endeavors. It was a pleasure.
Sounds like it must have been such an interesting experience!
Hey Al, you went off my radar and all you email addresses and phone numbers are no good
I wish I knew how to get ahold of Al for you. This interview is about 10 years old and I don’t have his contact info anymore.
JUST LEARNED OF THIS SITE ……SO PLEASED WITH THE REVIEWS OF MY WORK/LIFE ……….RESPECTFULLY AL GIDDINGS
Glad you found your way here!
Dear Mr. Giddings, Georg Hartlmaier & his wife Stefanie told me a story of the good times they had diving on the way up the coast from San Francisco with you. Georg passed away 12 years ago. Stefanie is here at their ski shop in Brian Head, Utah with fond memories the time in California. She reminisces the year 1958 to 1962 when Georg joined the Orca Diving Club. He became a very strong diver but Stefanie said you were the best. She also remembers when you married Maryann & her 5 girls and then you had a son with her. Stefanie now at 86 would love to hear from you if you have a chance. She can be reached at Georg’ Ski Shop 1 435 677 2013. Sincerely yours, Stefanie Hartlmaier & Heather Warner.
What great memories! I wish I had a way of getting ahold of Al, but I don’t know how to contact him anymore. Good luck on your search!
You may not remember me. My name is TR Caso and sometime back myself and a gentleman named Lou Barnett showed up at your home in Pray,Mt with 2 tractor trailers to haul off your work to Rutgers University. I don’t remember the date but I will never forget the day and telling the story of meeting you is a favorite of mine.
I hope this note finds you well and still bigger than life.
Thank you for touching my life Al. All the best
PS getting my advanced open cert in a few weeks. I’m going to dive shop wrecks!!!!
Sounds like you had a great meeting with Al! I don’t know if he will check this site, but hopefully he sees this.
Greetings from Singapore!
Hi Mr Giddings
I’m Rafida, the youngest daughter of Rahim. I hope you are doing well.
My dad, Rahim, spoke of you, fondly now and then. He said you took the photo of him (unable to attach the picture here) back in the ’70s somewhere in Malaysia, South China Sea. He was your buddy dive when you were doing a project on the ruins of HMS battlecruiser, Repulse.
He said, you offered him to work with you, travelling and diving but he declined the offer since he was married with two young daughters. I told my dad he made the right choice. Otherwise, I wouldn’t exist in this world! Haha! (Rahim has three daughters and one son).
He asked me to write to you and just a to say hello and thank you for the opportunity to work with you back then.
I took that photo, alongside his current self and sent the same message to your email on 10th August 2020
firstname.lastname@example.org but it bounced back.
I hope you get this message through this platform. If not, we hope a kind soul will be able to forward this to him.
Thank you for reading this.
Have a great week ahead.
Rafida A-R Suthers
Hi Rafida – I don’t know how to get ahold of Al Giddings, unfortunately. He sold his Montana house and is no longer “in the neighborhood.” Good luck, it sounds like he made quite an impact on your father.
I met Al Giddings on his Montana ranch in June of 2007. My first impression was how agile he was for a
man nearly seven feet tall and weighing 240 pounds. His years spent underwater had built an incredible physique. At first glance the ranch had a perfectly matched western design with some immense windows
allowing total views of Emigrant Peak. In the cellar of the main house Al reloaded ammunition for his rifles and had a 100 yard perfectly straight 12-inch conduit buried under ground for test firing the loads!
This guy never did anything with half measures!
What a wonderful memory – thank you for sharing it! That house and studio really is gorgeous and you can’t beat the setting.